Elision uses 3D modeling software to merge engineered and natural structures. It borrows the fluid logic of organic systems and to entangle everyday objects of city infrastructure. As large-scale prints (2015) this work begs for display in relation to architecture, where it counters the spectator's orientation in space.

Livelihood combines still images, video and sound in an interactive installation that invites embodied exploration of the texture and syntax of the sub/urban environment. It distills and disrupts unremarkable places shaped by the economics of "automobility". The central components of Livelihood are panoramic still images that, in the large-scale image projection, are looped and controlled by an interactive system that enables the viewer/participant to – through their own movement - create a seamless and fluid parade of places, people and things. Here the viewer activates the scene and literally brings the world alive by walking.  The viewer controls the passing scene/projection and causes hidden images and audio content to emerge in response to their proximity, pace and position. Iterations (2008-12) of Livelihood expand the this work in a variety of ways including with vinyl wall murals that present life-size urban infrastructure and objects that reflect the passing scene.

Smithville, Ontario – today a quiet exurban town in the middle of the Niagara Peninsula - was once a bustling railway hub for agricultural freight and passenger traffic. Reverberations is a smartphone application (2012) designed to enhance the experience of visitors to the town’s historic railway station. It provides digitally collaged images that distill the station’s archive into thematic groupings along with the components from which they are constructed. This project is part of a series of alternative reality projects presented across the Niagara region.

Worth Having is a series of digitally collaged images that bring together objects selected from the artist’s collections.  Seeking to find purpose and new meaning in material possessions, individual curiosities are singled out and re-contextualized in juxtaposition with 19th century stylized stone carvings of flora and fauna by sculptor and architect, Calvert Vaux.  Each collage is organized in circular reliquary-like arrangements that create concentric sets of reference where human control of nature is a unifying theme. Iterations of this work were produced between 2008 and 2012.

Bower is six digital prints that are designed to link end-to-end to create an endless frieze-like continuum. The work (2000-2002) is based upon photographs of the stylized stone carvings of Calvert Vaux in Central Park, New York City which depict a harmonious and peaceful natural utopia. Bower doubles and twists the fine geometry of Vaux’s stone arbour into a roiling challenge to good order with the inclusion of unwelcome elements like fences, rubble, utility poles and vines.

Situ: Performing Narrative Images is a series of constructed digital images created in collaboration with Marlene Moser. This work (2004) explore show stories coalesce around simple narrative elements and how narrative discourse and authorship arise from a collective process.  Groups of actors were asked to form tableaux vivant based on historical artworks.  Then, working together, each group devised a narrative moment before and after the central tableau.  Photographs of these, along with text derived from the actors’ discussion were woven together to provide a larger narrative in images that can be assembled in various sequences and looped in a continuum.

Fluid Envelope is a series of paintings – the largest of which is 213 cm x 76  –  that grows out of an interest in space as a location in culture. The notion of fluidity – suspension in the changeable, enveloping medium of water is central to the work. In this fluid context, people and objects float in the control of (or in resistance to) larger forces defined by nature and culture.  This work (1993-1996) was also produced as an interactive multimedia project with images, text, video and music. The Fluid Envelope exhibited in solo and curated exhibitions across Canada.